Item-Specific Packing Needs

Item-specific packing means designing the protective system around the vulnerabilities of the particular collectible, not applying one familiar recipe to everything that fits inside a box. Materials, construction, age, condition, shape, weight, finish, original packaging and replaceability all change what safe packing requires.

The seller's responsibility is not merely to send an object bearing the same title as the listing. It is to preserve the particular example, in the particular condition represented to the buyer, through handling, sorting, transport and unpacking. A package succeeds only when it protects both the object and the evidence of condition on which the sale was made.

Governing principle

Pack for the item's weakest feature and the harshest reasonably foreseeable part of the journey.

Collector scenario

Three objects, one parcel size, three entirely different packages

Ceramic figure

The main body must be cushioned against shock, but the handle, fingers or projecting detail must carry no load.

Vintage paperback

Soft wrapping may stop abrasion, yet the decisive protection is rigid support against bending, corner impact and moisture.

Sealed carded figure

The toy may survive almost anything that would permanently crush the card, crack the blister or whiten an edge.

Their dimensions might justify the same outer carton, but their weakest features demand different restraint, support, contact layers and clearance. Item-specific packing begins when the seller stops asking, "How much bubble wrap?" and starts asking, "How can this particular example fail?"

Chapter 1

Begin with the object, not the box

Before choosing a mailer, carton or cushioning material, examine the collectible as though preparing a compact condition and risk assessment. "Fragile" is too broad to guide a package. The useful question is how this object can be damaged and what feature will fail first.

The first inspection

?What is it made from, including secondary materials?
?Is it rigid, flexible, brittle, hollow or already weakened?
?Is it heavy or dense relative to its size?
?Are there projecting, articulated, tensioned or loose parts?
?Does it have a delicate painted, printed, polished or plated surface?
?Is the original box, sleeve, seal, insert or wrapper collectible?
?Could pressure distort it even if impact does not break it?
?Could movement inside the package cause wear or collision?
?Could moisture, heat, cold or rapid change affect it?
?Can it safely be wrapped directly, or must it be supported with clearance?
?Would it survive being dropped, inverted, stacked or compressed?
?Is the item replaceable, or is its significance greater than its sale price?

Chapter 2

Read vulnerability as a set of condition axes

A collectible may be strong on one axis and weak on another. A graded card is bend-resistant inside its slab but remains abrasion- and impact-sensitive. A die-cast vehicle is resistant to crushing yet dangerous to its own mirrors and display case because of its mass. Good packing combines the responses required by every relevant axis.

Impact-fragile

Evidence

The object, joint, glazing or enclosure may crack or fracture when a drop transfers force into it.

Collector risk

An apparently full box can still fail if the cushioning is too soft, too thin or crushed by the object's weight.

Packing response

Restrain the object, keep it away from every carton wall and use resilient cushioning that remains effective under load.

Pressure-sensitive

Evidence

The item can survive movement yet be damaged by steady compression, tight wrapping or stacked weight.

Collector risk

Blisters crack, card bows, soft plastics distort and original boxes acquire permanent crushing even without a dramatic impact.

Packing response

Create clearance, use a rigid protector or structural bridge, and never make a delicate face carry packing pressure.

Abrasion-sensitive

Evidence

The surface can scuff, polish, transfer, lift or receive impressions through contact and vibration.

Collector risk

The object may arrive structurally intact but materially worse in grade because gloss, print, foil, paint, flocking or a signature has rubbed.

Packing response

Apply a clean non-abrasive contact layer first, then prevent all movement against that layer.

Bend-sensitive

Evidence

Paper, card, thin plastic or a long component can crease, flex or take a permanent set.

Collector risk

A padded envelope may prevent scratches while doing almost nothing to stop a corner fold, spine roll or panel bow.

Packing response

Use rigid backing, a board sandwich, edge protection or a fitted structural enclosure larger than the item.

Vibration-sensitive

Evidence

Repeated small movements can fatigue joints, loosen accessories, detach paint or allow components to rub.

Collector risk

A parcel can suffer no obvious major impact yet arrive with a loose limb, detached aerial, worn paint edge or broken internal fitting.

Packing response

Immobilise components independently and prevent repeated movement rather than relying on soft void fill alone.

Environment-sensitive

Evidence

Moisture, condensation, heat, cold or rapid change can affect the material during storage and transit.

Collector risk

Paper may cockle, metal may corrode, vinyl may warp and sealed barriers may trap damp rather than protect against it.

Packing response

Pack clean and dry, use an appropriate secondary barrier, select a suitable service and avoid unnecessary delay or temperature exposure.

Mixed materials multiply the problem

A metal toy with plastic glazing, rubber tyres, paper labels and an original card box cannot be packed simply as a metal object. The package must prevent the heavy body from moving, avoid pressure on brittle glazing, stop rubber from deforming, protect labels from abrasion and keep the retail packaging from crushing.

The governing vulnerability is often not the dominant material. It may be the oldest adhesive, the thinnest projection, the most pressure-sensitive surface or the least replaceable component.

Chapter 3

Translate diagnosis into a protective system

A successful package performs several jobs at once. These jobs should be understood separately because one material rarely performs all of them well. Bubble wrap may cushion; it does not automatically provide a safe contact surface, structural support or reliable restraint.

1

Protect the surface

Place a clean, suitable contact layer between delicate finishes and any rougher cushioning, board or carton material.

2

Separate the hazards

Keep heavy, hard, sharp, loose and removable parts from touching anything they can damage.

3

Support the structure

Carry weight through strong areas, bridge pressure-sensitive faces and keep projections free of load.

4

Restrain without crushing

Prevent sliding, rattling, rolling and repeated vibration while avoiding permanent compression or distortion.

5

Create a protective zone

Use cushioning and clearance so ordinary drops, stacking and puncture do not reach the object directly.

6

Design the unpacking

Make the route back through the layers obvious, controlled and safe for the buyer and the collectible.

The packing hierarchy

1

Collectible object

The item and every component whose condition must be preserved.

2

Original packaging

Retail, presentation or archival packaging that forms part of the collectible.

3

Surface-protection layer

A clean interlayer that prevents abrasion, transfer and direct adhesive contact.

4

Structural protector or inner carton

A rigid enclosure, board sandwich, tray, case or cradle that controls shape and load.

5

Cushioning and isolation zone

The space that slows impact and keeps the protected item away from the outer walls.

6

Outer shipping carton

The sacrificial layer expected to meet dirt, stacking, puncture and handling damage.

Chapter 4

Collector judgement by object type

Category guidance is useful only when it sharpens diagnosis. It should never replace inspection of the actual example. Repairs, ageing, missing inserts, altered parts and unusual finishes can make one example substantially more vulnerable than another apparently identical one.

Boxed toys, games and model kits

The retail box is not shipping packaging. It is a graded collectible surface and a load-bearing structure that may already be weakened by age.

What commonly fails

  • Corner compression, edge crush, scuffing and puncture
  • Large panels bowing under void-fill or external pressure
  • Loose contents striking the inside of a sealed box
  • Tape, labels or film damaging print, varnish, seals or shrink-wrap

Packing judgement

  • Confirm that internal contents are correctly seated where this can be done without altering sealed status.
  • Protect the box with a clean sleeve or soft interlayer before adding structural protection.
  • Provide clearance on every side and prevent the retail box from sliding or carrying compression loads.
  • Double-box high-grade, sealed, heavy or unusually valuable examples.

Boundary judgement: If movement can be heard inside a sealed collectible, disclose it. Do not secretly open the item merely to make packing easier.

Carded figures and blister packs

The figure may be robust while the blister, card edge and hanger tab are exceptionally pressure-sensitive.

What commonly fails

  • Blister cracking or separation from the card
  • Card bending, corner whitening and hanger-tab damage
  • Direct wrapping pressure across the blister face
  • Surface scratching within a loose outer carton

Packing judgement

  • Use a rigid protector, clamshell or purpose-made carded-figure case where possible.
  • Support the whole card rather than only its corners.
  • Immobilise the protected figure inside a larger box with no void fill bearing on the blister face.
  • Avoid pulling stretch film or bubble wrap tightly around the package.

Loose figures, miniatures and painted models

The main body is rarely the only concern. Joints, weapons, fingers, antennae, flocking, capes and painted edges determine the packing method.

What commonly fails

  • Projection breakage and brittle-joint failure
  • Paint rub where figures or accessories touch
  • Flocking loss and resin fracture
  • Accessories becoming lost during unpacking

Packing judgement

  • Remove only components designed to be removed and whose removal is safe.
  • Wrap or compartmentalise each accessory and label it where confusion is possible.
  • Support figures from their base or strongest mass, leaving clearance around projections.
  • Use fitted cavities, trays or dividers rather than loose figures buried in void fill.

Die-cast vehicles and metal toys

Small size disguises high mass. The chassis may be strong while axles, mirrors, windscreens, decals and display cases are not.

What commonly fails

  • The model crushing its own cushioning
  • Weight resting on wheels, axles, mirrors or aerials
  • Rolling or breaking through a weak internal restraint
  • Heavy metal parts striking a brittle display case

Packing judgement

  • Carry the weight through the solid chassis or base.
  • Prevent rolling and lateral movement with dense, resilient support.
  • Protect paint and decals from rubbing.
  • Separate display cases or detachable plinths where they could collide with the model.

Resin statues, ceramics, porcelain and glass

These objects are hard but brittle, and projections often fail before the main body shows any distress.

What commonly fails

  • Handles, fingers, weapons, hair strands and costume details carrying load
  • Loose lids or removable parts striking the object
  • Concentrated pressure from over-tight cavity fill
  • Ageing moulded foam shrinking, crumbling or transferring material

Packing judgement

  • Remove intended detachable components and wrap each separately.
  • Support broad, structurally strong areas rather than handles or projections.
  • Separate lids, saucers and stacked pieces with suitable interlayers.
  • Use shaped support, generous wall clearance and double-boxing for valuable examples.

Books, comics, cards and paper ephemera

The principal enemies are bending, edge impact, abrasion, movement within holders and moisture - not shattering.

What commonly fails

  • Spine roll, staple stress, corner blunting and colour rub
  • Cards sliding out of sleeves or holders
  • Pressure impressions from tight wrapping or raised features
  • Acrylic grading slabs cracking or chipping

Packing judgement

  • Use a correctly sized clean sleeve or holder where appropriate.
  • Support the whole item with rigid boards larger than the object.
  • Prevent movement within the sandwich and protect exposed edges.
  • Place high-value rigid inner packages inside a corrugated outer box.

Photographs, prints, posters and maps

The packing decision begins with whether the item can safely remain flat or can tolerate rolling without introducing new distortion.

What commonly fails

  • Creasing, edge dents and image abrasion
  • Forcing brittle or historic paper into an unsuitable roll diameter
  • Tube crushing, rolling during handling or end-cap failure
  • Lengthwise movement inside the tube

Packing judgement

  • Prefer flat board sandwiches for small, valuable, mounted or brittle works.
  • Where rolling is appropriate, use a wide core and a suitable image interlayer.
  • Prevent lengthwise movement and use a robust tube or triangular mailer.
  • Box the tube when crushing risk or handling conditions justify it.

Framed art and glazed objects

The frame, glazing, decorative moulding and artwork are separate systems with different failure modes.

What commonly fails

  • Glass breakage or acrylic scratching
  • Frame corner separation and decorative-surface abrasion
  • Puncture through the centre of the package
  • Wrapping or board shifting into contact with the image surface

Packing judgement

  • Confirm that the artwork is secure within the frame before packing.
  • Protect the face and back structurally without allowing materials to touch the artwork.
  • Use corner protectors and cushion the frame rather than loading the glazing.
  • Use a purpose-made picture carton and double-box valuable glazed work.

Boundary judgement: Do not casually apply adhesive film across historic or specialist glazing. The apparent safety measure can create a new conservation problem.

Vinyl records, optical discs and cassettes

The media, case and printed packaging do not share the same vulnerability. A strong disc can still destroy its own sleeve or case during movement.

What commonly fails

  • Sleeve splits, bent corners, ring wear and heat warping
  • Loose discs scratching inside otherwise undamaged cases
  • Broken hubs and brittle case corners
  • Collector's editions or slipcases being treated as expendable packaging

Packing judgement

  • For unsealed records, consider placing the sleeved disc beside the outer jacket to prevent seam splits.
  • Use rigid stiffeners and a correctly sized purpose-made mailer with no internal movement.
  • Confirm discs are seated on their hubs and protect cases separately.
  • Use a box rather than a padded envelope for rare, brittle or high-value cases.

Boundary judgement: Never open a sealed record merely to apply the usual unsealed-record packing practice without the buyer's agreement.

Coins, medals, jewellery and small mechanical objects

Mechanical strength does not remove the risk of surface contact, entanglement, chemical contamination or tiny components becoming lost.

What commonly fails

  • Proof or polished surfaces rubbing or receiving fingerprints
  • Coins and holders colliding
  • Chains knotting and clasps, crowns or settings carrying pressure
  • Keys, links, tools and documents being separated from the item

Packing judgement

  • Use appropriate inert holders, capsules or fitted compartments.
  • Immobilise holders and prevent metal objects touching one another.
  • Secure chains, pins and sharp elements safely without tight pressure.
  • Place presentation boxes inside a separate shipping box and label secondary components.

Clocks, cameras, instruments and vintage mechanisms

Internal movement can cause damage that is not visible from the outside, while knobs, stems, lenses and tensioned parts are poor restraint points.

What commonly fails

  • Pendulums, weights or accessories striking the mechanism
  • Battery leakage and loose components
  • Stress to shutters, winding stems, keys, bridges or pegs
  • Rapid temperature and humidity change

Packing judgement

  • Remove batteries and intended detachable components where safe and appropriate.
  • Do not force, wind or operate an uncertain mechanism before packing.
  • Support the structural body and use the correct fitted case where one exists.
  • Box and cushion the fitted case as a separate inner package.

Boundary judgement: Specialist clocks, historic instruments and delicate mechanisms may exceed the safe limits of ordinary parcel packing.

Textiles, costumes, dolls and soft toys

Soft materials can crease, snag, transfer dyes, crush pile and conceal rigid or brittle components that need separate support.

What commonly fails

  • Sharp folds, compression and fur or pile distortion
  • Beading, buttons, eyes, wires or squeakers breaking
  • Painted or rubberised surfaces sticking together
  • Doll fingers, facial features, wigs and sleep-eye mechanisms carrying load

Packing judgement

  • Fold only where necessary and pad folds with clean suitable support.
  • Support rigid decorations and fragile body parts independently.
  • Prevent surfaces with uncertain coatings from touching plastic or one another.
  • Use a custom cradle for valuable dolls and avoid vacuum packing collectible textiles.

Autographs, manuscripts and signed objects

The inscription may be the most fragile and valuable component of an otherwise robust object.

What commonly fails

  • Wrapping rubbing across the signature
  • Friable media transferring to a sleeve
  • Moisture, condensation and adhesive near the signed area
  • Handling damage during packing and unpacking

Packing judgement

  • Identify and photograph the signed area immediately before packing.
  • Create clearance so no wrapping bears on or moves across the inscription.
  • Support paper documents fully with suitable folders, sleeves and rigid boards.
  • Use a water-resistant secondary enclosure and double-box significant material.

Fossils, minerals and natural-history specimens

Weight, friability, cleavage, crystals, repairs and legal restrictions vary so widely that category labels alone are not enough.

What commonly fails

  • Soft foam collapsing beneath dense specimens
  • Direct pressure on crystals or thin fossil structures
  • Loose fragments becoming detached from their labels or provenance
  • Feathers, fur, horns, claws or mounts being compressed or broken

Packing judgement

  • Support the matrix, base or strongest mass in a fitted cavity.
  • Seal loose fragments in labelled containers and preserve specimen-document links.
  • Restrain taxidermy from its base while leaving clearance around extremities.
  • Check species, customs and carrier restrictions before accepting the shipment.

Electronics and battery-operated collectibles

Packing must address fragile screens, controls and cables as well as battery safety and carrier restrictions.

What commonly fails

  • Loose plugs, controllers or power supplies striking the device
  • Battery leakage or short-circuit risk
  • Screen, knob and connector damage
  • A service refusing or mishandling a regulated battery shipment

Packing judgement

  • Remove batteries where safe, permitted and compatible with sealed collectibility.
  • Secure cables, plugs and controllers in separate labelled compartments.
  • Protect screens and controls from contact and pressure.
  • Confirm battery type, installation status, destination and service rules before dispatch.

Chapter 5

Sets, accessories and the risk created by the item itself

Multi-part collectibles often fail because the seller protects the main object and overlooks the secondary components. A metal stand, loose lid, controller, key, tool, plug or detachable weapon can become the object that causes the damage.

A disciplined sequence for sets

  1. Inventory every component and photograph the complete set.
  2. Identify which pieces can collide, scratch, puncture or carry weight onto another.
  3. Separate hard, heavy and sharp items from delicate or printed components.
  4. Wrap, sleeve or compartmentalise each component according to its own vulnerability.
  5. Label internal packages when similar parts or accessories could be confused.
  6. Place the heaviest elements lowest in the intended orientation, while still protecting against inversion.
  7. Prevent one component's weight from bearing on another.
  8. Include an internal packing list and make small parts obvious during unpacking.

Chapter 6

Repaired, restored and unstable items

Repairs alter the path by which stress moves through an object. A re-glued handle, filled crack or replaced joint may be weaker than the surrounding material, while a rigid restoration can transfer force into an adjacent original area. The repair should be treated as a known vulnerability, not proof that the object is again structurally normal.

Packing a repaired item

  • Identify and photograph repaired locations.
  • Do not use a repair as a carrying, restraint or load-bearing point.
  • Prevent leverage across the repaired area.
  • Disclose significant restoration and retain the record.
  • Allow fresh coatings, fills and adhesives to cure before enclosure.

Packing is not stabilisation

Wrapping an unstable surface can pull it away during unpacking. A package can reduce transport hazards, but it cannot cure active flaking, wet mould, leaking batteries, sticky polymers or detached structure.

Stop and seek stabilisation or specialist advice when you see:

!Actively flaking paint or powdering surfaces
!Loose glass or detached structural parts
!Wet, mould-affected or pest-contaminated material
!Leaking batteries, liquids or active corrosion products
!Crumbling foam, sticky plastics or strong unstable chemical odours
!Friable fossils, shedding specimens or poorly secured sharp components

Boundary with preservation and restoration

This page addresses protective packing for sale and transit. Decisions about whether an object is sufficiently stable to move, whether active deterioration should be treated and what materials may safely touch a vulnerable surface belong partly to preservation and restoration. When the packing method would require intervention on the object itself, stop treating the issue as a shipping-only problem.

Chapter 7

Design the unpacking before you seal the parcel

Good packing is reversible by an uninformed recipient. A buyer should not need to cut blindly, pull hard against an object or discover small parts only after throwing the void fill away. Damage during unpacking is still damage caused by the packing design.

Make safe opening obvious

  • Keep tape away from collectible surfaces.
  • Fold tape ends to create pull tabs.
  • Mark the intended opening face and warn against deep cutting.
  • Label loose components and describe any required orientation.
  • Add short unpacking instructions for complex layers.

Test the buyer's route

  • Can the buyer see where to begin?
  • Can a knife reach the object from the opening seam?
  • Will tiny parts remain visible and associated with the item?
  • Can the object be lifted by a strong area?
  • Can the packaging be retained for a possible return?

Chapter 8

Double-boxing: a second protective system, not a second carton

Double-boxing is warranted when the item is highly fragile, heavy and brittle, encased in acrylic or glass, surrounded by collectible retail packaging, unusually shaped, irreplaceable or likely to encounter a long and heavily handled route. The inner package must already restrain and protect the object; the outer package then shields that assembly.

Effective double-boxing

  • The inner package fully restrains the item.
  • There is a meaningful cushioning zone on every side.
  • The outer carton is strong enough for the complete weight.
  • Intermediate cushioning cannot migrate or bottom out.
  • The inner box cannot move inside the outer box.

False reassurance

  • Two boxes with almost no space between them.
  • A weak outer carton surrounding a strong inner one.
  • Loose inner packaging floating in soft fill.
  • A heavy item that can crush the cushioning zone.
  • Movement remaining inside the inner package.

Chapter 9

Common packing myths and failure patterns

Myth

More cushioning always means better protection.

Reality

Too much compressed material can bow cards, crush retail boxes, distort plastics and load projections. Cushioning only works when its type, thickness and load capacity suit the object.

Myth

If the parcel does not rattle, it is safely packed.

Reality

An object can be tightly immobilised in a damaging way. The test is no harmful movement and no harmful pressure.

Myth

A fragile label will make handlers protect the parcel.

Reality

Labels may communicate intent, but the parcel still needs to survive ordinary stacking, inversion and mechanical sorting.

Myth

The original box protects the item because it did so at retail.

Reality

Retail packaging was not necessarily designed for repeated courier handling, and in collecting it is often part of the value being protected.

Other recurrent mistakes

xUsing loose void fill as the main restraint
xWrapping a sword, handle, aerial or finger tightly
xAllowing heavy and light items to share one compartment
xReusing crushed, damp, punctured or heavily creased cartons
xAllowing adhesive to touch aged card, print, foil, paint or plastic
xFilling hollow objects so tightly that outward pressure is created
xIgnoring internal movement because the external item looks robust
xMaking absolute claims such as bombproof or guaranteed damage-free

Chapter 10

Test the completed package without pretending risk can be eliminated

The final review should be controlled and proportionate. Do not aggressively shake a genuinely fragile parcel in the name of testing. Instead, examine movement, pressure, support, orientation and unpacking as separate questions.

Movement check

Gently change direction. There should be no rattling, sliding, heavy shifting or component collision.

Pressure check

Closing the carton should not make it bulge, bow collectible packaging or press cushioning onto fragile features.

Support check

The weight should be carried by strong areas, projections should remain unloaded and the object should not settle through its support.

Orientation check

Consider the parcel sideways, inverted and beneath another parcel. Internal protection should not depend entirely on arrows or labels.

Chapter 11

Buyer communication and the packing record

Item-specific packing can strengthen buyer confidence when described accurately. It can also become important evidence if damage, loss or a return later creates disagreement. The record should show both pre-dispatch condition and the reasonable care applied to the package.

Useful commitments

  • The retail box will be placed inside a separate shipping carton.
  • Components will be wrapped or compartmentalised separately.
  • A graded holder will be sleeved and rigidly supported.
  • Detachable statue parts will be individually packed.
  • The parcel will be double-boxed.

Avoid absolute language

No package is indestructible. Avoid "bombproof", "perfectly packed" and "guaranteed damage-free". State the specific method instead.

Where the buyer requests an unusual packing method - such as leaving a record inside its sleeve or preserving a sealed arrangement - agree and record the decision before dispatch.

Photograph the evidence chain

[ ]The item immediately before packing
[ ]Fragile features, repairs and serial numbers
[ ]All accessories and original packaging
[ ]Each major protective stage
[ ]The object immobilised inside the inner package
[ ]The closed inner box and cushioning zone
[ ]The outer carton before closure
[ ]The sealed parcel and shipping label

Photographs do not automatically prove that transit damage did not occur. They do, however, show the starting condition, completeness and packing method available for a carrier claim, platform dispute or buyer conversation.

Chapter 12

When ordinary parcel packing is no longer proportionate

Professional packing is justified when failure would be unusually severe or when the object cannot be made safe with ordinary parcel materials and handling assumptions. This is not restricted to very expensive items: unique, historic, collection-completing and personally irreplaceable objects can justify the same threshold.

Specialist threshold

!Exceptionally valuable, unique or impossible to replace
!Large, very heavy, top-heavy or unusually shaped
!Highly fragile, unstable or composed of incompatible materials
!Framed under glass or dependent on a delicate historic mechanism
!A significant painting, sculpture or musical instrument
!Difficult to insure under ordinary parcel terms
!Subject to species, battery, hazardous-material or customs controls
!Requiring a custom crate, fitted support or controlled handling plan

Working checklist

Item-specific packing review

Before packing

  • Confirm the exact item and inventory every component.
  • Record condition, repairs, serial numbers and fragile features.
  • Identify material, construction, weak areas and centre of gravity.
  • Decide whether original packaging is itself part of the collectible.
  • Check for loose, removable, articulated or internally mobile parts.
  • Consider moisture, temperature, battery, legal and service restrictions.

During packing

  • Protect delicate surfaces before adding cushioning or restraint.
  • Separate anything that could collide, rub, puncture or transfer weight.
  • Support structurally strong areas and leave projections unloaded.
  • Immobilise the object without crushing or distorting it.
  • Maintain a protective zone between the item and every outer wall.
  • Design the layers so the buyer can understand and reverse them safely.

Before dispatch

  • Check for rattling, sliding, heavy shifting or component collision.
  • Check that normal closure does not bow the item or bulge the carton.
  • Consider what happens if the parcel is inverted or placed on one end.
  • Photograph the major packing stages, closed inner box and sealed parcel.
  • Add a duplicate address or packing slip inside where appropriate.
  • Measure, weigh and retain the receipt, tracking and packing evidence.

Final principle

Item-specific packing is not simply more packaging. It is the deliberate use of the right protection in the right place. The collectible should not move, vulnerable surfaces should not rub, projections should carry no load, heavy pieces should not threaten light ones, original packaging should not be crushed and the buyer should be able to reverse the packing without creating fresh damage.

The strongest package is therefore not the bulkiest. It is the package whose layers correspond clearly to the known failure modes of the particular object and the reasonably foreseeable demands of its journey.

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